Enrique

Garcia

Garcia's photo-based practice explores the processes that drive erasure, decay, and replication of form. Touching on history, colonialism, and the consequences of technology, his work centers on the paradoxical relationship between creation and destruction. His photo compositions combine disparate found materials to create networks of symbols, recontextualized through scale and juxtaposition. Through varied references—from ancient ruins, celestial objects, to modern technology—his work elicits the sublime while provoking reflection on the meaning of human progress. Garcia studied Sculpture at Pratt Institute.

His work has been shown at N.A.S.A.L. (MX), Aro (MX), and SculptureCenter (NY). He lives and works between New York and Mexico City.

Artist WebsiteVisit ShopDedicated Issue
Negative Epiphany 7 (Sooner or later everything that is engenders nightmares), 2025
Corrugated plastic, ball chain, found photos, stainless steel hardware, on wood frame
40 x 32 in

 

The End of Measure, 2024
UV print on corrugated plastic, found photos, stainless steel hardware on oak frames
50 x 40 in

Spine (Coil), 2023
UV prints on corrugated plastic, found photos, pins, and stainless steel hardware on oak frames
32 x 46.5 in

Limite Poniente / Western Limit, 2024
Found photos, corrugated plastic, stainless steel hardware, painted wood frame
24 x 96 in  

Arm (Wing), 2024
Found images, corrugated plastic, wood frame
27 ½ x 22 ½ in

Spiral Procession (Bore), 2024
Corrugated plastic, ball chain, found photos, stainless steel hardware
48 x 48 in

Installation view of Swallowing the Sun, N.A.S.A.L. Gallery
Mexico City, July 2024